The other day someone posted this amazing Black Mirror GIF on the Museum Social Media Managers Facebook group. The GIF was a reaction to an article about Instagram’s new algorithm changes that incentivize certain behaviors and bury content when narrowly defined rules of engagement are not met. I couldn’t help but think about all of the other potential Black Mirror connections one might make to #musesocial and #musetech. Continue reading
A guide to conversations about museums, technology, and education on Twitter. Continue reading
In addition to offering utilitarian helper pages for people who land on an old or broken link, cultural organizations have an opportunity to have a little fun with their collections on their 404 pages. So, I asked for examples and the museum technology community delivered!
Last month, I took my first girls’ weekend trip away since my daughter was born a year ago. I found myself relaxing in a lovely lake house (expected), sipping wine (expected), and talking, talking, talking for hours on end (expected) about how to “tidy” my house (utterly unexpected!). Continue reading
While Medium has been around for a few years I get the sense that it has recently begun to pick up speed. Perhaps you recall January’s viral hit “A teenager’s view on social media (written by an actual teen)”? Or maybe you’ve been following the CODE | WORDS publication with contributors from the museum technology community like Rob Stein, Michael Edson, and Merete Sanderhoff? Continue reading
I’m taking part in the Milwaukee Art Museum’s “Hangout with Art” online course. Unlike other MOOCs I have participated in (e.g., MoMA’s “Art and Inquiry” on Coursera), this one relies on Twitter and Google+ for sharing and discussion. I felt like I needed more space for my assignments and a “home” for them . . . hence this blog post.
For nearly a decade, museums have been using social media to communicate and connect with the public. As social media become more ubiquitous in museums and ingrained in our visitors’ everyday lives, old questions reemerge: How can a cultural institution best connect with a variety of audiences online? Continue reading